Flames burn brightest in darkness,
volcanic truths that sing the end of days.
I would write you other than this
handful of platitudes, let your ash
be breath-ed into ember, your sparks scattered
across the midnight sky to bear forth
the sun and other fierce stars.
But I am no god,
and heaven is hot to the touch. There is pain
in the burning.
is like nightmare, a woman
with a fiery sword whose heart smolders
until the seas are made new.
Another in the series of poems for the collaborative Nine Realms project. You can find out more of the myth behind Muspelheim, the Realm of Fire, here. Also, please support this amazing, multi-faceted international arts endeavor (which includes poets, visual artists, musicians & the carving of a real Viking boat)– our Indiegogo campaign ends next week!
I am dreaming again of riverafternoons
and your sunlit irides, floodlevel love
on time we borrowed until we stole.
Funny how the past you think of is never
the past that was; the present tenuous as rain
streamlit down the windows of my old place
by the river, all plateglass & whiskey;
my future self’s heart pinched between thumb
and dirt-traced forefinger, whirlpooled in muddy waters,
slipping over rocks. If I knew her now I would say
never mind the scars. There is peace even in the drowning;
the trains will sound their slow mourners’
wail over curves of forever, tonight’s tornado
warning only a siren on the horizon.
even through the thickest ice, redemption
may bubble. don’t call it the realm of the dead.
say instead: that cauldron from which every man
springs, and will again return.
pull up fistfuls of last year’s leaf-
mould; wade the bitter waters;
sift the cold from the thaw.
this is not another poem
about what to feed your dragon.
serpent-sister, i no longer fear judgment,
have seen the green from your high walls.
atonement is made from yeast-drops
and pomegranate seeds, shimmers,
the life-beneath-frost, your nascent
breakings, the roots planted in winter.
remember the strength in those you have loved,
the gentle rain lost to the mists.
This poem focuses on the figure of Hel and Niflheim, the “Mist-home” or Realm of the Dead. According to some sources, Niflheim was the first of the nine worlds in the Viking mythos, and home to Hvergelmir, the “boiling bubbling spring” protected by the dragon Nidhug and origin of all life (as well as its final destination).
Hel is the daughter of trickster god Loki, sister to the wolf Fenrir and Jormungandr, the serpent that circles the world. She has dominion over all who die of sickness and old-age, determining their ultimate fate. The high walls and gates of her land are cited several times in the Poetic Edda.
The dead are not necessarily condemned to Niflheim, but can also pass through Nastrond’s (Shore of Corpses) poisoned streams to be cast back into Hvergelmir. Other sources say Nastrond and the feeding of Nidhug therein is reserved for those guilty of murder, adultery or oath-breaking.
The title, “If all things should weep” references the fate of Baldr, son of goddess Frigg, who sends an emissary to Hel to try to ransom him back to the land of the living. Hel replies that the love of the world for Baldr must first be tested:
“If all things in the world, alive or dead, weep for him, then he will be allowed to return to the Æsir. If anyone speaks against him or refuses to cry, then he will remain with Hel.”
When one refuses to weep for Baldr, he is forced to remain. The story is reminiscent of the Greco-Roman Orpheus, who also journeyed to retrieve a loved one from the land of the dead. Other sources have linked Hel variously to Proserpina.